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Written by Alan Fox
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During the 20th Century, the bassoon underwent a steady evolution in performance characteristics, responding to long-term trends in the pitch of orchestras as well as to the demands of larger concert halls and the varying tastes of performers and audiences throughout the world.
In an effort to provide instruments with maximum projection and flexibility, while meeting sophisticated standards for intonation, tone quality and resonance, we have reviewed (and in some cases, resurrected) many of the earlier methods, materials, and acoustical designs that are currently in use in professional orchestras. The results show up in four different woods employed in the manufacture of our instruments, each of which has been combined, experimentally, with most of the acoustical designs, the most interesting ones being offered as options to the appropriate models.
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Thick Wall (Long)
Thick wall bassoons are known for their bigger and more resonant sound. The model 601 is voiced for use close to A:440 which gives it a warmer tone compared to higher pitched models. This design can deliver more power when pushed; yet can still easily handle soft attacks.
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Symphony Bore (Short)
The short bore design provides a singing voice that opens up in the solo register. An excellent choice for players who prefer a slightly higher pitched instrument with flexibility and a clarity of voice that is not available in the thick wall designs.
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Symphony Bore (Long)
This is the modern version of the original Fox Bassoon. It has been continuously developed under the supervision of Alan Fox since 1970. This bassoon has benefited from our constant research programs resulting in a good instrument of the past becoming a great instrument today. The warmth and roundness of its tone and the excellence of its scale make it a truly wonderful instrument on which to perform.
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Symphony Bore (Long), Polypropylene Body
This is our nicest plastic body bassoon. The metal bands give the appearance of a wood body instrument. Silver plating is standard. It's a popular choice among organizations needing the durability of the plastic combined with a refined appearance.
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(Short Bore)
It’s the ultimate advanced student bassoon. Mechanically it has all the extras that any advanced student might need, including a high E key, and a whisper key lock, among other things. The short bore design provides the tone, flexibility and resonance that would otherwise be found only in professional models. Indeed, many professionals find this model well suited to their needs.
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Our lowest price wood instrument. A good choice for new bassoonists and school music programs.
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Polypropylene Body
An ideal instrument for younger middle school players. The modified keywork is adapted for younger players with small hands. Not recommended for high school and older players.
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Thick Wall (Short)
Thick wall bassoons are known their bigger and more resonant sound. The model 660 is voiced for use around A:442. This provides a more open tone quality compared to lower pitched models. It also provides a sense of greater flexibility to the player.
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Symphony Bore (Short)
Accoustically, the 101 is identical to the model 201 bassoon. The difference between them is in the addition of ten rollers for the right and left hand thumbs.
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Symphony Bore (Long)
The model I bassoon is acoustically identical to the model II bassoon. The difference between them is in the addition of ten rollers for the right and left hand thumbs.
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Symphony Bore (Long), Polypropylene Body
The model IV was the original Fox plastic bassoon. Standard keywork includes a high D key and a ring key. With its plastic body it is an ideal choice for a well-equipped, low-cost bassoon.
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(Long Bore)
Mechanically identical to the Renard model 240 bassoon. The tonal warmth and scale of the long bore gives a good choice between the 240 and the 220. The secure performance and superior intonation of the long bore design will provide excellent performance for advancing school bassoonists.
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Polypropylene Body
An ideal instrument for middle school use or budget-conscious high schools. Good sound, excellent intonation, durable body and keywork. It's a perfect choice for college methods classes.
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